We are now accepting submissions for our Fall issue.

Front Porch Nonfiction

Issue 1.0
  • Seattle, 1974 by Charles D'Ambrosio

    When I started this essay I did what I always do when I'm nervous—reached
    for a book. I have this idea that I can't write legitimately about my life
    without elevating it. My impulse is always to graft something learned and a
    bit more edifying onto the embarrassing facts. My original bookish idea for
    the essay was to reference Walter Benjamin and work up a fancy comparison
    between nineteenth century Paris and Seattle, and then suggest, along the
    way, that my aimless wanderings as a teenager made me a flaneur or
    boulevardier. I loved the idea. It seemed so—literary. When I got a draft
    down and read things over, I realized that the portrait I'd drawn, of a
    cornball dandy in waffle-stompers, couldn't have been more untrue. So I
    went back to the drawing board. Dropping the High European culture of
    books, I found the right energy the minute I started talking about the
    small-time celebrities—the clowns and car dealers—of my early days.
    After I made this switch a lot of the starch went out of my prose, too—I
    found a new, much more fluid music for the sentences the minute I quit lying
    to myself.

    — Charles D'Ambrosio
a journal of the Texas State MFA program

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